By Harold Bloom, Janyce Marson
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Extra resources for A Midsummer Night's Dream (Bloom's Shakespeare Through the Ages)
Whether using contemporary or Elizabethan pronunciations, Titania’s verse shows a compulsive fixation, which, indeed, governs the present state of her mind. But as her thoughts are revealed, although their object may be unworthy, her own feelings are not to be condemned; they are sweet and gracious. QQQ Act III, ii, 102-144 Oberon: Flower of this purple dye, Hit with Cupid’s archery, Sink in apple of his eye. When his love he doth espy, Let her shine as gloriously As the Venus of the sky. When thou wakest, if she be by, Beg of her for remedy.
Bottom intends to remind his audience of his play’s unreal nature by showing Snug’s face through the lion’s mask, but, in a delightful irony, this plan will not work when he himself appears as an ass. He is completely transformed, and there is nothing to show Titania that the ass she adores is really a man. However, every member of Shakespeare’s audience knows that the actor playing Bottom is actually a person in a costume. That recognition, along with the realization of how fitting it is for Bottom to be an ass, is at the crux of the comic delight.
Yet ere a man can say, behold the Flame, The jaws of darkness have devour’d it up; So quick even brightest things run to Confusion. Hermia. If then true Lovers have been ever cross’d, It stands as a Decree in Destiny. Then let us teach each other Patience, Because it is a customary thing.
A Midsummer Night's Dream (Bloom's Shakespeare Through the Ages) by Harold Bloom, Janyce Marson